34 Sony FX30 Digital Cinema Camera
৳ 192,000.00
The Sony FX30 is the entry point into Sony’s prestigious “Cinema Line.” While it looks similar to the ZV-E10 II, it is a dedicated filmmaking machine with a body designed for heavy production use.
For your shop, this is the camera to choose if you want to create true cinematic commercials. It features a “Dual Base ISO,” which means it can shoot incredibly clean, noise-free footage even in the dimly lit corners of your store.
| Feature | Specification |
| Sensor | 26MP APS-C Exmor R CMOS (Back-illuminated) |
| Video | 4K up to 120p / 10-bit 4:2:2 Internal |
| Log Shooting | Full S-Log3 with Custom LUT support |
| Body Design | 5 Threaded holes (1/4-20) for mounting gear without a cage |
| Cooling | Internal Fan for unlimited recording in 40°C heat |
| Stabilization | 5-Axis In-Body (IBIS) + Active Mode |
| Dual Slots | 2x CFexpress Type A / SD UHS-II Hybrid Slots |
The Sony FX30 is an APS‑C‑format digital cinema camera in Sony’s Cinema Line, engineered for serious video creators, indie filmmakers, and content producers who want professional video quality and cinematic control in a compact and agile body. It combines a newly developed 26 MP Exmor R APS‑C (Super 35mm) CMOS sensor with the powerful BIONZ XR image processor to deliver rich detail, broad dynamic range exceeding 14 stops, and advanced color science inherited from Sony’s higher‑end cinema cameras.
The FX30 can record UHD 4K at up to 120 fps internally in 10‑bit 4:2:2 and supports S‑Log3, S‑Cinetone, and other creative looks for flexible grading and stylized results. Dual media slots (CFexpress Type A / SDXC) and extensive codec options make it robust for long takes and professional workflows. Built‑in 5‑axis sensor‑shift image stabilization helps smooth handheld footage, while extensive audio connectivity and accessory mounting points complete a highly capable cinema‑oriented system.
Key Specifications
| Specification | Detail |
|---|---|
| Sensor | APS‑C Exmor R CMOS (23.3 × 15.5 mm), ~26 MP effective |
| Processor | Sony BIONZ XR |
| Lens Mount | Sony E‑mount (interchangeable) |
| Recording Formats | XAVC HS / XAVC S / XAVC S‑I 10‑bit 4:2:2 |
| Internal Video | UHD 4K up to 120 fps; FHD up to 240 fps |
| Raw Output | 16‑bit raw via HDMI to external recorder |
| Dynamic Range | 14+ stops with S‑Log3 |
| Image Stabilization | Sensor‑shift 5‑axis IBIS with Active modes |
| Autofocus | Fast Hybrid AF with 495 points & real‑time tracking |
| Media | Dual slot: CFexpress Type A + SDXC (UHS‑II) |
| Display | 3.0″ articulating touchscreen LCD (~2.36M dots) |
| Audio Input | 3.5 mm mic & headphone; XLR via handle unit (optional) |
| Connectivity | USB‑C (data/power), HDMI Type‑A, Wi‑Fi 802.11ac, Bluetooth 5.0 |
| Battery | Rechargeable Sony battery (included); robust runtime |
| Weight (Body) | ~562 g (body only) |
| Dimensions | Approx. 129.7 × 77.8 × 84.5 mm |
Core Features & Advantages
Cinematic Video Capture
- UHD 4K at up to 120 fps with internal 10‑bit 4:2:2 encoding for smooth slow motion and broadcast‑ready production quality.
- High‑speed FHD up to 240 fps for dynamic slow‑motion capture.
- 16‑bit raw output over HDMI to select recorders for maximum post‑production flexibility.
Dynamic Range & Color
- 14+ stops of dynamic range with S‑Log3, yielding rich highlight and shadow detail.
- S‑Cinetone picture profile delivers cinematic colors straight out of camera.
Professional Workflow
- Dual media slots let you record to CFexpress and SD cards simultaneously or switch when one fills.
- Creative Looks & LUT support allow preview and consistency across clips.
Stabilization & Autofocus
- 5‑axis in‑body image stabilization helps capture smooth footage even handheld.
- Advanced autofocus with wide coverage and real‑time subject tracking.
Ergonomics & Expandability
- Compact, lightweight design ideal for gimbal, rig, or drone integration.
- Multiple 1/4″‑20 mounts and Multi Interface Shoe for accessories.
- Optional XLR handle unit for professional audio capture.
Typical Use Cases
- Independent filmmaking & short films with cinematic color science and codecs.
- YouTube, commercials, and narrative content needing broadcast‑capable footage.
- Documentary and event video where high frame rates and robust AF are valuable.
- Professional workflows with external recorders, LUTs, and advanced audio setups.
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