Samyang 35-150mm f2-2.8 AF Lens (Sony E)
৳ 115,000.00
The Samyang AF 35-150mm f/2-2.8 FE is often called the “all-in-one” dream lens for wedding and event photographers. It is a direct competitor to the Tamron 35-150mm, offering a unique focal range that covers everything from a wide “storytelling” 35mm to a tight “portrait” 150mm, all while maintaining a very fast f/2 to f/2.8 aperture.
| Feature | Specification |
| Aperture | $f/2$ (at 35mm) to $f/2.8$ (at 150mm) |
| Optics | 21 Elements / 18 Groups (2 ASP, 1 HB, 3 HR, 6 ED elements) |
| Autofocus | Linear STM (Silent and smooth for video) |
| Min. Focus | 0.33m (Wide) / 0.85m (Tele) |
| Weight | 1,224g (A very heavy, professional-grade lens) |
| Filter Size | 82mm |
| Custom Features | 3 Focus hold buttons, Custom switch, Zoom lock |
The Samyang 35‑150 mm f/2‑2.8 AF is an unusually fast and versatile standard‑to‑telephoto zoom lens designed for Sony E‑mount mirrorless cameras. Its broad 35–150 mm zoom range covers everything from standard focal lengths through short telephoto reach, making it ideal for portraits, travel, events, reportage, lifestyle, and creative telephoto work.
What truly sets this lens apart is its very bright maximum aperture — f/2 at the wide end and f/2.8 at the telephoto end — uncommon for a zoom of this range. This enables excellent low‑light performance and stronger subject isolation across the zoom range compared with typical f/4 zooms. Combined with fast, accurate autofocus optimized for Sony E‑mount systems, this lens blends creative flexibility, strong optical performance, and hybrid photo/video capability.
Key Specifications
General
- Lens Type: Standard‑to‑telephoto zoom
- Mount: Sony E‑mount (FE/full‑frame compatible)
- Focal Length: 35–150 mm
- Maximum Aperture: f/2.0 (at 35 mm) – f/2.8 (at 150 mm)
- Minimum Aperture: f/22
- Format: Full‑frame / APS‑C (equiv. ~52.5–225 mm)
Optical Design
- Optical Construction: Multiple elements (precise grouping varies)
- Special Elements:
- Aspherical and Extra‑Low Dispersion elements designed to reduce chromatic aberration, distortion, and spherical aberration
- Coating: Multi‑coating to help suppress flare, ghosting, and enhance contrast
- Aperture Blades: Rounded diaphragm for smoother out‑of‑focus rendering
Autofocus & Focus
- Autofocus: Yes (optimized for Sony E‑mount with fast AF drive)
- Performance: Quick, smooth, and quiet AF for stills and video
- Minimum Focus Distance: Approx. 0.85–0.95 m (varies with focal length)
- Maximum Magnification: Moderate telephoto magnification suitable for portraits
- Manual Focus Override: Yes
Imaging & Performance
- Sharpness: Good center and overall detail throughout zoom range
- Bokeh: Strong subject separation and smooth background rendering due to bright aperture
- Low‑Light Capability: Excellent performance at f/2–2.8 for indoor and ambient light shooting
- Zoom Versatility: Covers wide standard to short telephoto without changing lenses
Image Stabilization
- Optical Stabilization (OSS): ❌ Not built‑in
- Stabilization Support: Relies on in‑body image stabilization (IBIS) in compatible Sony cameras
Physical & Handling
- Filter Thread: 67 mm (typical for a lens of this class)
- Dimensions (Approx.): Mid‑sized, balanced for handheld use
- Weight (Approx.): Substantial but manageable for telephoto reach
- Build: Solid design with ergonomic zoom and focus rings
- Controls: Smooth mechanical rings with reliable damping
Key Features
- Bright f/2–2.8 aperture across the zoom range — exceptional for creative depth‑of‑field and low‑light shooting
- Versatile 35–150 mm range — from standard through short telephoto
- Fast, quiet autofocus suited for hybrid stills/video work
- Strong subject isolation with smooth background blur
- Multi‑coating for reduced flare and improved contrast
- Budget‑friendly alternative to professional zooms with similar reach
Ideal For
- Portrait and environmental portrait photography
- Travel and everyday walkaround shooting
- Events, weddings, and documentary work
- Hybrid creators blending stills and video
- Users seeking a fast “one‑lens‑does‑much” zoom
You must be logged in to post a review.
Related products
89 Sony FE 70-200mm f4 Macro G OSS II Lens
The Sony FE 70-200mm f/4 Macro G OSS II (model SEL70200G2), released in mid-2023, is a significant reimagining of the classic 70-200mm f/4. It is the world’s first lens in its class to offer 0.5x "half-macro" magnification across the entire zoom range, making it one of the most versatile telephoto zooms ever made.
| Feature | Details |
| Focal Length | 70–200 mm |
| Lens Mount | Sony E-mount (Full-Frame) |
| Maximum Aperture | f/4 (Constant) |
| Minimum Aperture | f/22 |
| Angle of View | 34°–12.5° (Full-Frame) |
| Aperture Blades | 9 (Rounded diaphragm) |
93 Sony FE 90mm f2.8 Macro G OSS
The Sony FE 90mm f/2.8 Macro G OSS (model SEL90M28G) is one of the most acclaimed lenses in the Sony E-mount lineup. It is a dedicated macro lens that provides a true 1:1 magnification ratio, making it an essential tool for high-end product photography, insects, and incredibly detailed portraits.
| Feature | Details |
| Focal Length | 90mm |
| Lens Mount | Sony E-mount (Full-Frame) |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Angle of View | 27° (Full-Frame) |
| Aperture Blades | 9 (Rounded diaphragm) |
95 Sony E PZ 16-50mm f3.5-5.6 OSS II Lens
The Sony E PZ 16-50mm f/3.5-5.6 OSS II (model SELP16502) is the updated successor to the classic kit lens, released alongside the ZV-E10 II in late 2024. While it maintains the same ultra-compact "pancake" form factor as the original, it features significant internal upgrades to autofocus tracking, video stability, and optical consistency.
| Feature | Details |
| Focal Length | 16–50 mm (24–75 mm Full-Frame Equivalent) |
| Lens Mount | Sony E-mount (APS-C) |
| Maximum Aperture | f/3.5 (Wide) – f/5.6 (Tele) |
| Minimum Aperture | f/22 – f/36 |
| Angle of View | 83°–32° |
| Aperture Blades | 7 (Circular diaphragm) |
Canon EF-S 18-55mm f3.5-5.6 IS II Lens
| Feature | Details |
| Focal Length | 18–55mm (28.8–88mm full-frame equivalent) |
| Max Aperture | f/3.5 – f/5.6 |
| Lens Mount | Canon EF-S (APS-C DSLRs only) |
| Image Stabilization | 4 Stops |
| Optical Design | 11 Elements in 9 Groups |
| Diaphragm Blades | 6 (Rounded) |
| Filter Diameter | 58 mm |
| Weight | ~200g (7.05 oz) |
Canon RF 100-400mm f5.6-8 IS USM Lens
Canon RF 16mm f2.8 STM Lens
| Feature | Details |
| Focal Length | 16mm (25.6mm equivalent on APS-C cameras like R7/R10) |
| Max Aperture | f/2.8 |
| Angle of View | 108° 10' |
| Lens Mount | Canon RF (Full-Frame & APS-C) |
| Optical Design | 9 Elements in 7 Groups (1 Aspherical) |
| Diaphragm Blades | 7 (Rounded) |
| Min. Focus Distance | 5.1 in / 13 cm |
| Filter Diameter | 43 mm |
| Weight | ~165g (5.8 oz) |
Canon RF 50mm f1.4 L VCM Lens (Canon RF)
Viltrox AF 85mm f1.8 FE II Lens for Sony E
| Feature | Details |
| Focal Length | 85mm |
| Aperture Range | f/1.8 – f/16 |
| Lens Mount | Sony E (Full-Frame & APS-C compatible) |
| Optical Design | 10 Elements in 7 Groups (1 ED, 4 Low-wave High-transparency) |
| Aperture Blades | 9 (rounded) |
| Minimum Focus | 0.8m (2.62 ft) |
| Focus Motor | STM (Stepping Motor) |
| Filter Thread | 72mm |
| Weight | Approx. 484g (significantly lighter than Mark I) |

Reviews
There are no reviews yet.